Wednesday classics
always great! always $2.00
two showtimes! - 10am & 7pm!
OCTOBER
THE RETURN OF HAPPY HALLO-WEDNESDAYS
October 29th - Double Feature
Frankenstein
Not Rated
1931 ‧ Horror/Sci-Fi ‧ 1h 11m
This iconic horror film follows the obsessed scientist Dr. Henry Frankenstein as he attempts to create life by assembling a creature from body parts of the deceased. Aided by his loyal misshapen assistant, Fritz, Frankenstein succeeds in animating his monster, but it escapes into the countryside and begins to wreak havoc. Frankenstein searches for the elusive being and eventually must confront his tormented creation.
The Bride of Frankenstein
Not Rated
1935 ‧ Horror/Sci-Fi ‧ 1h 15m
After recovering from injuries sustained in the mob attack upon himself and his creation, Dr. Frankenstein (Colin Clive) falls under the control of his former mentor, Dr. Pretorius (Ernest Thesiger), who insists the now-chastened doctor resume his experiments in creating new life. Meanwhile, the Monster (Boris Karloff) remains on the run from those who wish to destroy him without understanding that his intentions are generally good despite his lack of socialization and self-control.
NOVEMBER
HANKS-GIVING
November 5th
SLEEPLESS IN SEATTLE
PG
1993 ‧ Romance/Comedy ‧ 1h 40m
After the death of his wife, Sam Baldwin moves to Seattle with his son, Jonah. When Jonah calls in to a talk-radio program to find a new wife for his father, Sam grudgingly gets on the line to discuss his feelings. Annie Reed, a reporter in Baltimore, hears Sam speak and falls for him, even though she is engaged. Unsure where it will lead, she writes Sam a letter asking him to meet her at the Empire State Building on Valentine’s Day..
We recognize that Classic Movies were made with a timestamp and may contain outdated cultural depictions.
These are not the same views and realities of equity that exist today.
We encourage patrons to enjoy classic films with an awareness and willingness to compare how relationships or content would be portrayed with a modern lens.
These are not the same views and realities of equity that exist today.
We encourage patrons to enjoy classic films with an awareness and willingness to compare how relationships or content would be portrayed with a modern lens.
