Wednesday classics
always great! always $2.00
two showtimes! - 10am & 7pm!
May
Let's Go To VeGas
MAY 13
OCEAN'S ELEVEN
PG-13
2001 ‧ Comedy/Crime ‧ 1h 56m
Dapper Danny Ocean is a man of action. Less than 24 hours into his parole from a New Jersey penitentiary, the wry, charismatic thief is already rolling out his next plan. He follows three rules: do not hurt anybody, do not steal from anyone who does not deserve it, and play the game like you have got nothing to lose. With those in mind, Danny works to orchestrate the most sophisticated, elaborate casino heist in history, targeting three establishments owned by the man who is dating his ex-wife.
MAY 20
BUGSY
R
1991 ‧ Crime/Thriller ‧ 2h 29m
New York mobster Benjamin Bugsy Siegel (Warren Beatty) leaves New York City to dip into the glamour of Hollywood, Calif., and to build up syndicate gambling rackets. Bowled over by actress Virginia Hill (Annette Bening), the dapper Siegel courts her, despite having a wife and children. Obsessed with creating a gambling haven, Siegel takes racketeering to the Nevada desert and helps develop Las Vegas, only to find himself in deep water over his reckless construction of the Flamingo Hotel.
MAY 27
VIVA LAS VEGAS!
R
1964 ‧ Musical/Comedy ‧ 1h 25m
All musically gifted race-driver Lucky Jackson (Elvis Presley) wants in Las Vegas is to score enough money for a new car motor so he can win the Grand Prix. When he encounters sexy swimming instructor Rusty (Ann-Margret), he considers staying around longer. After Lucky loses his winnings in the hotel pool, he’s forced to remain in Vegas long enough to win back his dough — but now he also wants to win the Rusty’s heart. Unfortunately, so does his slick racing enemy, Elmo (Cesare Danova).
We recognize that Classic Movies were made with a timestamp and may contain outdated cultural depictions.
These are not the same views and realities of equity that exist today.
We encourage patrons to enjoy classic films with an awareness and willingness to compare how relationships or content would be portrayed with a modern lens.
These are not the same views and realities of equity that exist today.
We encourage patrons to enjoy classic films with an awareness and willingness to compare how relationships or content would be portrayed with a modern lens.
