Wednesday classics
always great! always $2.00
two showtimes! - 10am & 7pm!
OCTOBER
HAPPY HALLO-WEDNESDAYS
October 14th
POLTERGEIST
PG
1982 ‧ Horror/Fantasy ‧ 1h 54m
Strange and creepy happenings beset an average California family, the Freelings — Steve (Craig T. Nelson), Diane (JoBeth Williams), teenaged Dana (Dominique Dunne), eight-year-old Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O’Rourke) — when ghosts commune with them through the television set. Initially friendly and playful, the spirits turn unexpectedly menacing, and, when Carol Ann goes missing, Steve and Diane turn to a parapsychologist and eventually an exorcist for help.
October 21st
LITTLE SHOP OF HORRORS
PG-13
1986 ‧ Musical/Horror ‧ 1h 34m
Meek flower shop assistant Seymour (Rick Moranis) pines for co-worker Audrey (Ellen Greene). During a total eclipse, he discovers an unusual plant he names Audrey II, which feeds only on human flesh and blood. The growing plant attracts a great deal of business for the previously struggling store. After Seymour feeds Audrey’s boyfriend, Orin (Steve Martin), to the plant after Orin’s accidental death, he must come up with more bodies for the increasingly bloodthirsty plant.
October 28th
HALLOWEEN
R
1978 ‧ Horror/Crime ‧ 1h 31m
On a cold Halloween night in 1963, six-year-old Michael Myers brutally murdered his 17-year-old sister, Judith. He was sentenced and locked away for 15 years. But on October 30, 1978, while being transferred for a court date, a 21-year-old Michael Myers steals a car and escapes Smith’s Grove. He returns to his quiet hometown of Haddonfield, Illinois, where he looks for his next victims.
We recognize that Classic Movies were made with a timestamp and may contain outdated cultural depictions.
These are not the same views and realities of equity that exist today.
We encourage patrons to enjoy classic films with an awareness and willingness to compare how relationships or content would be portrayed with a modern lens.
These are not the same views and realities of equity that exist today.
We encourage patrons to enjoy classic films with an awareness and willingness to compare how relationships or content would be portrayed with a modern lens.
